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FLAMENT Les exercices au milieu sur 1/2 pointes. Lemoine

31.80

Working on centre exercises – a foretaste of the stage! – obliges the pianist-accompanist to be particularly attentive, because it is something of “a moment of truth” for students. All technical and artistic understanding gained at the barre is putto the test: improving turnout, maintaining balance, visual focus, and step direction… There is no longer the trusty support provided by the barre and every dance movement must be controlled in the space! The pianist must absolutely not overlookthis concept of space: musical phrases take more time and can extend over several octaves (like a painter who changes his paintbrush for a larger one!), harmonic modulations provide variationsdepending on how the movement changes direction… It isalso the moment when refined work on pianistic dynamics becomes a real aid for the dancers. Some dynamic exaggeration is opportune, even worthwhile: the finesse of pianissimo to soften landings, augmenting a crescendo for jumps during the diagonal toincrease momentum, slowing down (ritenuto) during pirouettes to increase self-confidence… In sum, a true dialogue and complicity is established between the dancers and the pianist, whose work is brought to light by the superb dance movements.

COD: LEM29262 Categorie: , ,
Autore: FLAMENT N.
Editore: LEMOINE
Organico: PF
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Les exercices au milieu sur 1/2 pointes (esercizi sulle mezze punte). L’accompagnement de danse au piano. Francia, Lemoine Editions

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